“Jealousy” (Pani), a recent Filipino film, unfolds a tale of familial tension and unexpected romance set within the rustic backdrop of a provincial mansion. Following their father’s passing, three sisters find themselves entangled in a land dispute, their lives further complicated by the arrival of an injured stranger. This sets the stage for a melodramatic narrative exploring the complexities of sisterhood and desire.
The film quickly establishes the central theme of sibling rivalry, encapsulated in its title “Pani,” meaning jealousy. The sisters, portrayed by real-life siblings, grapple with their interconnected yet conflicted relationships. Into this dynamic enters Felipe (Kiko Estrada), the recuperating stranger, who becomes a catalyst for romantic entanglement, notably with the second sister, Ester. Adding another layer to the narrative is the character portrayed by Benz Sangalang, a local army captain embroiled in hunting rebels, who becomes romantically involved with the eldest sister, Sonya (Angela Morena).
While “Jealousy” attempts to weave a compelling drama, it encounters some narrative stumbles. The film’s efforts to portray the relationships, particularly Felipe’s involvement with multiple sisters, occasionally feels exaggerated. Furthermore, the movie is punctuated by numerous sex scenes, often featuring topless actresses, while the male nudity is less prominent and often distant.
Despite its limitations, “Jealousy” is not without its merits. However, the film is marred by noticeable continuity issues and anachronisms, such as characters using cell phones in a supposed 1990s setting where internet access would have been unlikely in remote areas.
The plot contrivances surrounding Felipe’s character and the film’s attempt to morph into a Shakespearean tragedy in its final act feel unconvincing. Ultimately, “Jealousy” seems tailored to resonate with local Filipino audiences, offering a glimpse into the kind of cinematic storytelling that finds popularity within the Philippines.
In conclusion, “Jealousy” (Pani) presents a mixed bag. While it delivers on melodrama and romantic intrigue, particularly through characters like the army captain played by Benz Sangalang, it struggles with plot inconsistencies and attempts at deeper dramatic resonance. The film ultimately earns a modest rating, acknowledging its effort despite its shortcomings.
